Skip to main content

Workin' On It Wednesday # 50 -- On Parents and Other Adults

Since I write YA literature, I spend a fair amount of time thinking about what role the parents are going to have in the story. Because my main characters have to have parents*, of course, but parents aren't usually the most interesting parts of the YA story. If they were, that wouldn't be YA, it would just be...A.

Recently, Liz B. over at Tea Cozy wrote a post about a New York Times article that dissed the role of parents in YA literature. In that article, author Julie Just says:

Maybe you can think of more recent examples than “Adventures of Huckleberry Finn” (1885) — the gallant, no-good father from “A Tree Grows in Brooklyn” (1943)? — but in the classic stories, from “Cinderella” to “The Wonderful Wizard of Oz,” the hero’s parents are more likely to be absent or dead than cruel or incompetent. ... And then the young adult novel came along.

I have a question for Ms. Just: are you high?

Seriously? Because on what planet is Cinderella's father not cruel or incompetent? Or the other "classic stories" like, say, Snow White, in which her father throws her over in favor of his new wife**? Or, I don't know, Rapunzel, whose parents abandoned her to a sorceress who imprisoned her in a tower. That's some awesome parenting there.

Don't get me wrong--I'm not saying that the parents in modern YA lit are models of sanity and dependability. But...this isn't something new. This didn't happen, as Just suggests it did, with the invention of YA literature. It's archetypical. Joseph Campbell points out that most stories start with the call to adventure.***

And really, isn't that the point of YA lit? Isn't that THE archetypical story of YA lit? The call happens and the main character has to step into a role she didn't expect and maybe doesn't want, a bigger role, a more adult role. The main character is called to adventure and adventure ensues!

And if that doesn't happen--if the parents are great and there's no problem and everything is shiny and happy--well...where's the story in that?

~~~

* This isn't a Disney movie, where I can kill off the mom in the first five minutes and then fade to black.

** Maybe Snow White and Cinderella were cousins or something?

*** That's right, I'm getting all Hero With A Thousand Faces on you. What are you going to do about it? :)

Comments

Popular posts from this blog

The Fourth Horseman: Excerpt 6

This is all of chapter 4, in which Suzanne buys a dress and sits in a chair with Anastase.   The other excerpts can be found here: Excerpt 1 Excerpt 2 Excerpt 3 Excerpt 4 Excerpt 5 ***** Chapter Four “I was thinking,” my father said over dinner that night. “Since your mother is on the road to recovery, we could go into town for dinner next Saturday, maybe to that sushi place you like. Maybe bring Gabriel. Interested?” “Sorry, I can’t on Saturday,” I said. “It’s Homecoming.” My father dropped his fork to his plate. “You’re kidding.” “I have to go. Gabriel’s nominated.” “Do you believe this?” my father asked my mother. “Are you hearing this?” My mother shook her head, smiling. “You’ve met Gabriel, right, dear?” “Our daughter. Dating the Homecoming King!” I rolled my eyes. “He hasn’t won. He’s just nominated.” My dad fluttered his eyelashes at us. “I wished for this day, but I never thought it would come true. Will there be a limo? What a

Character Post: Anastase Beryl

NOTE: This post contains spoilers for The Fifth.   Peter Murphy.  ::swoon:: Oh, Anastase, Problem Child Extraordinaire.  At the beginning of The Fifth, Anastase is terrible .  He's selfish, he's rude, he's heartless, and all of that makes him incredibly attractive to Suzanne, who has, sincerely, the worst taste in men. He's one of those guys who you know you should stay away from and yet don't want to. Originally, my conception of Anastase's physical appearance was based on the singer Peter Murphy from Bauhaus, that angular, mysterious, dangerous vibe, that people either love or hate.  A more modern approximation is actor/model Luke Eisner, although he's a little too . . . healthy looking for Anastase.  He needs to drop a little weight -- maybe pick up a teeny coke habit or something -- and then he would be perfect! :) If Luke Eisner loses 20 pounds, he is Ana.   Because he's the First of his Circle, Anastase thinks that means hi

The Fourth Horseman: Excerpt 5

The latest excerpt, still from Chapter 3, in which Suzanne encounters a bully and talks about sex.  Previous excerpts are here: Excerpt 1 Excerpt 2 Excerpt 3 Excerpt 4   ***** The football team had a bye week in anticipation of Homecoming (and the fact that I even knew what a “bye week” was was a testament to how much I liked Gabriel), so Gabriel showed up at my locker after school to join me and Spencer on the walk home. “We’re so happy for you,” Spencer told him, ducking under his arm to hug him. “Are we?” I asked, sliding in under Gabriel’s other arm. “You are a terrible liar,” Gabriel told Spencer, hugging him close. “Fag,” someone muttered behind us. I snapped my head around and saw a couple of kids around Spencer’s age snickering into their hands. I took a step toward them. “What’d you say?” They scowled at me. “Nothing,” one of them answered. “No, really, what’d you say?” Gabriel asked, his voice mild and friendly, his arm still around Spencer’s shoul