and when the night is cold and dark you can see, you can see light!

Check out this fantastic video from Lara Zeilin, whose book I am totally going to buy now, because I heart her.

My favorite part? --

even if I'm liking what I wrote?
I'll get an editing letter.
even if I've already got some notes?
I'll get an editing letter.

Congratulations, Lara, on being so cool that I don't even care what your book is about.* :)

~~~

* In fairness to Lara, her book sounds good, too.

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Monday Miscellany

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Why Are The Characters Friends?

Lately, I've been reading a lot of books where the main character and her best friend don't get along. This is confusing to me. Why is the main character friends with someone she dislikes, or is afraid of, or actually hates? I get that it happens--I've seen Mean Girls . I've read Queen Bees and Wannabes . Heck, I'm old enough to have been the prime audience for Heathers . But in order for this fractured best friend relationship to be convincing, it has to be set up. In both Heathers and Mean Girls , there's a reason why the protagonist is friends with a bunch of b*tches--she chose to be. She knows that they're jerks. In fact, she can feel herself becoming a jerk right along with them. It's part of the character arc, the point of the story, that being friends with these girls is not who she really is. But the relationships I've been seeing lately don't make that kind of sense. The protagonist doesn't have a reason to be friends with...

Jay Takes A Stand

Moonrat, still at Editorial Ass, is making me think a lot lately. She did a recent post here about sexualized violence in print ads, and connected the dots to sexualized violence in books and other media, which got me thinking about how I treat girls and women in my books. To be clear--I'm a feminist. I believe in equal pay for equal work and reproductive choice, and the whole ball of wax. I'm not going to go into detail about all that here because, frankly, there are people out there whose blogs are dedicated to that kind of thing (like Jezebel *) and they do it way better than I ever could. But that's my political orientation, in case you care. So when I was writing The Book, it was very important to me that my female protagonist S did not fall into any of those "heroine needs saving by the hero" tropes that so many books for teenage girls do. Sure, there's something very "romantic" about the hero swooping in and rescuing the heroine, right? ...

How Do I Know What I Think Until I See What I Say?

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