Skip to main content

Pet Peeve Number 3 - The Two Dimensional Character

Yesterday I read this YA novel, and, before I cracked it I was really excited about it because it was hugely popular and seemed like something right up my alley. I was all "ooh, I'm going to be able to review it in my blog, because I'm really going to like it!"

Except I didn't.

I hated it. Like, a lot.

And here's why - the main character is deep like a puddle. Unfortunately, I can't be as specific as I would like here, since I'm panning this book, but basically, the protagonist is a high school girl who, apparently, has no interests, no life, no thoughts, and no feelings except for the boy she likes. Her parents barely figure into the story at all, she has no friends, her boss at her part-time job hardly speaks, there are apparently no teachers, she never watches tv or listens to music ...

In short, she's BORING.

Of course, the romance is the primary driver of the story and should be the main focus, but a character this empty seriously impedes my enjoyment of the romance, because I don't care what happens to her. When the other kids at her high school decide not to be her friend, I don't blame them. When she schemes to avoid her father, I don't care whether she gets caught or not. When she asks herself why her boyfriend is with her, SO DO I.

I think the main problem is that, by the end of the book, I don't know this girl. I can't relate to her at the outset of the book, because she doesn't seem to have a past or a future, and I don't know anything more about her at the end of the book except that SHE REALLY LOVES HER BOYFRIEND AND HE REALLY LOVES HER. Great, sure, but that's not enough to keep me interested for 100+ pages.

Characters, especially main characters, need to be three dimensional. They should have personalities that help dictate their actions throughout the book. They should have pasts - even if they are children. They should like some things and dislike others. They should have relationships with other people, even if those relationships are antagonistic. There are tons of exercises in those "how to write a novel" books that can help a writer do this, so there's no excuse for characters as thin as this girl to show up in fiction, like, ever.

Comments

Popular posts from this blog

Monday Miscellany

1. I've been watching old episodes of The West Wing on Bravo lately, and have come to the conclusion that I love the character of Sam Seaborn. He's smart, he's earnest, he's a good writer, and he's played by Rob Lowe. What's not to love?* 2. I just bought the cutest jacket at Ann Taylor Loft. I know you care, but it's not every day that one can find a white denim jacket with styling reminiscent of Michael Jackson and a tailored waist. I'm just saying. 3. NaNoWriMo proceeds apace. There is no way that I'm going to be able to keep writing at this pace after this month is over, but I'm on track to finish. It's an interesting project...in some ways the speed is freeing and in other ways it's extremely limited, as to make the word count I have no time to go back and revise. 4. Alien and Aliens are amazing movies. Alien 3 and Alien Resurrection ? Not so much. 5. This week's Glee characterization inconsistency watch: Rache...

Why Are The Characters Friends?

Lately, I've been reading a lot of books where the main character and her best friend don't get along. This is confusing to me. Why is the main character friends with someone she dislikes, or is afraid of, or actually hates? I get that it happens--I've seen Mean Girls . I've read Queen Bees and Wannabes . Heck, I'm old enough to have been the prime audience for Heathers . But in order for this fractured best friend relationship to be convincing, it has to be set up. In both Heathers and Mean Girls , there's a reason why the protagonist is friends with a bunch of b*tches--she chose to be. She knows that they're jerks. In fact, she can feel herself becoming a jerk right along with them. It's part of the character arc, the point of the story, that being friends with these girls is not who she really is. But the relationships I've been seeing lately don't make that kind of sense. The protagonist doesn't have a reason to be friends with...

Jay Takes A Stand

Moonrat, still at Editorial Ass, is making me think a lot lately. She did a recent post here about sexualized violence in print ads, and connected the dots to sexualized violence in books and other media, which got me thinking about how I treat girls and women in my books. To be clear--I'm a feminist. I believe in equal pay for equal work and reproductive choice, and the whole ball of wax. I'm not going to go into detail about all that here because, frankly, there are people out there whose blogs are dedicated to that kind of thing (like Jezebel *) and they do it way better than I ever could. But that's my political orientation, in case you care. So when I was writing The Book, it was very important to me that my female protagonist S did not fall into any of those "heroine needs saving by the hero" tropes that so many books for teenage girls do. Sure, there's something very "romantic" about the hero swooping in and rescuing the heroine, right? ...