Skip to main content

Pet Peeve Number 2 - That and Which

That and which. There's a difference. A lot of people don't know that. ALOT. (That's a joke. Look carefully.)

Here's the basics - if the clause introduced by that or which can be taken out of the sentence without affecting its central meaning, use a "which" with a comma in front of it. If the clause is required, then use a "that" with NO comma. Some examples:

The cars, which are on the lawn, are broken. - this means that the cars that are broken happen to be on the lawn. "Which" indicates a non-restrictive clause; a clause that provides more information about the noun in question, but that information is not essential. It's a "by the way" statement.

The cars that are on the lawn are broken. - this means that the cars that are on the lawn are broken. "That" indicates a restrictive clause; a clause that provides essential information about the noun in question.

Is this a big problem in fiction? No, not really, because oftentimes, in fiction, either meaning is okay. People sometimes misuse "which" as a "formal" form of "that," so sometimes, I'll see a "which" in a book without a comma in front of it, but whatever. It usually doesn't change the meaning of the sentence in the context of the story, so no big.

But in my day job as an attorney, it is a big problem. Because restrictive clauses are requirements and non-restrictive clauses may not be. This is how the error usually manifests itself:

"The merchandise which shall be shipped on the 15th is guaranteed to be free from defect."

Okay, is that clause restrictive or non-restrictive? There's a "which", but there's no comma. So if I read that in a contract, I will change it to the term that's the most favorable to my client. If I want the clause to be a requirement, I will change it to "that." If I want it to be less forceful, I'll add a couple of commas. Most of the time, the lawyer on the other side won't understand that there's a difference, even after I explain it to him or her. I'll just get a "whatever, fine," even after I'd made something mandatory that wasn't mandatory before.

Sometimes, I feel like knowing the rules of grammar is the legal equivalent of reading the rules in the top of the Monopoly box.

Comments

Popular posts from this blog

Monday Miscellany

1. I've been watching old episodes of The West Wing on Bravo lately, and have come to the conclusion that I love the character of Sam Seaborn. He's smart, he's earnest, he's a good writer, and he's played by Rob Lowe. What's not to love?* 2. I just bought the cutest jacket at Ann Taylor Loft. I know you care, but it's not every day that one can find a white denim jacket with styling reminiscent of Michael Jackson and a tailored waist. I'm just saying. 3. NaNoWriMo proceeds apace. There is no way that I'm going to be able to keep writing at this pace after this month is over, but I'm on track to finish. It's an interesting project...in some ways the speed is freeing and in other ways it's extremely limited, as to make the word count I have no time to go back and revise. 4. Alien and Aliens are amazing movies. Alien 3 and Alien Resurrection ? Not so much. 5. This week's Glee characterization inconsistency watch: Rache...

Why Are The Characters Friends?

Lately, I've been reading a lot of books where the main character and her best friend don't get along. This is confusing to me. Why is the main character friends with someone she dislikes, or is afraid of, or actually hates? I get that it happens--I've seen Mean Girls . I've read Queen Bees and Wannabes . Heck, I'm old enough to have been the prime audience for Heathers . But in order for this fractured best friend relationship to be convincing, it has to be set up. In both Heathers and Mean Girls , there's a reason why the protagonist is friends with a bunch of b*tches--she chose to be. She knows that they're jerks. In fact, she can feel herself becoming a jerk right along with them. It's part of the character arc, the point of the story, that being friends with these girls is not who she really is. But the relationships I've been seeing lately don't make that kind of sense. The protagonist doesn't have a reason to be friends with...

Jay Takes A Stand

Moonrat, still at Editorial Ass, is making me think a lot lately. She did a recent post here about sexualized violence in print ads, and connected the dots to sexualized violence in books and other media, which got me thinking about how I treat girls and women in my books. To be clear--I'm a feminist. I believe in equal pay for equal work and reproductive choice, and the whole ball of wax. I'm not going to go into detail about all that here because, frankly, there are people out there whose blogs are dedicated to that kind of thing (like Jezebel *) and they do it way better than I ever could. But that's my political orientation, in case you care. So when I was writing The Book, it was very important to me that my female protagonist S did not fall into any of those "heroine needs saving by the hero" tropes that so many books for teenage girls do. Sure, there's something very "romantic" about the hero swooping in and rescuing the heroine, right? ...