Skip to main content

Okay, look

The pages of the authors that made it into the second round at Fangs, Fur & Fey have started going up. It's interesting to see what people are responding to and what they aren't. It's interesting to see what I'm responding to and what I'm not. It's also interesting to see what asses authors can be.

There are a couple of people who, in response to their critiques (either of the hook or the first pages), have decided to get indignant. They've decided to explain to the judges that, if the reader got to see more of the story, of course they would love it. Or that the judge didn't get what they were trying to do. Or that the writing errors are found in other books so why should they worry about them? It's not too many people, just a few, but let me tell you that I am writing down the names of these people in my book notebook to make sure I never accidentally pick up one of their books, because I don't like giving money to jerks.

Here's the thing - this is a free contest run by published authors where the prize is a review by a reputable agent. There is no public response that is appropriate except for a gracious thank you. Disagree with the critique you're given if you want (I did, in fact, a little bit), but don't get all "parents just don't UNDERSTAND" in the community blog.

I personally feel that if the reader, ANY reader, is having a problem with part of the story, then it is up to the writer to take a good hard look at that part and say "am I doing what I need to do here? Is this really working, or am I too in love with myself?" And, I'll be honest, there have been times that I laughed aloud at the "advice" I was given, because it sucked. But I did so in private, after closing the door behind me. Because when someone takes the time to give you advice about your writing, the only polite response is attentiveness and gratitude. They don't have to pay attention at all.

Comments

Anne-Marie said…
Hi Jay,
I always find it funny that writers, who should know better, don't appreciate that you need to show grace with the written medium. I am always far more dignified and thoughtful in writing than I can ever claim to be verbally; I think I learned the lesson well that once it's written, there's a record there, and you don't want it to be a record of what a jerk you were.

Cheers,
AM
Jay Montville said…
"once it's written, there's a record there, and you don't want it to be a record of what a jerk you were."

Truer words were never spoken. I suppose, with the advent of the internet, a lot of these writers never went through a good workshop class where defensiveness wasn't tolerated, so they're thin skinned and think defending themselves is a good idea.

Yeah, it's not.

I'm not going to lie and say "oh, criticism doesn't bother me at all," because HA! But my rule is to listen to it all, say thank you, and decide later, privately, whether it has any value. I think that's the only thing one can do if one wants to get criticism and not seem like a jerk.

Popular posts from this blog

On Mary Sue

I recently read a Very Popular Book in a Very Popular Series, which I was going to talk about here until I read the second book in the series and realized--OH NO--that the main character of the book is a total Mary Sue. sigh. For those of you who didn't spend time in the fanfic world, a Mary Sue is a character who everyone else loves. She's a stand-in for the author (fanfic is written mostly by women, which is why "Mary Sue," although there are some Gary Stus out there as well).She's beautiful (but not too beautiful), she's funny, she's self-deprecating, she's smart, and all the other characters will fall head over heels in love with her and think she's awesome. (An example, if I wrote Friday Night Lights fanfiction, Mary Sue would move to town and become Riggins' girlfriend, and Jason Street would have a crush on her, and Lyla Garrity would like her and even Tyra would must us some grudging respect, and their lives would all be better for k...

Why Are The Characters Friends?

Lately, I've been reading a lot of books where the main character and her best friend don't get along. This is confusing to me. Why is the main character friends with someone she dislikes, or is afraid of, or actually hates? I get that it happens--I've seen Mean Girls . I've read Queen Bees and Wannabes . Heck, I'm old enough to have been the prime audience for Heathers . But in order for this fractured best friend relationship to be convincing, it has to be set up. In both Heathers and Mean Girls , there's a reason why the protagonist is friends with a bunch of b*tches--she chose to be. She knows that they're jerks. In fact, she can feel herself becoming a jerk right along with them. It's part of the character arc, the point of the story, that being friends with these girls is not who she really is. But the relationships I've been seeing lately don't make that kind of sense. The protagonist doesn't have a reason to be friends with...

Meme!

That I stole from Sarah Miller : The instructions: Look at the list and (1) Bold those you have read. (2) Italicize those you intend to read. (3) Underline the books you LOVE. 1. Pride and Prejudice - Jane Austen 2. The Lord of the Rings - JRR Tolkien 3. Jane Eyre - Charlotte Bronte 4. Harry Potter series - JK Rowling (made it to book four, and bailed.) 5. To Kill a Mockingbird - Harper Lee 6. The Bible 7. Wuthering Heights - Emily Bronte 8. 1984 - George Orwell 9. His Dark Materials - Philip Pullman 10. Great Expectations - Charles Dickens 11. Little Women - Louisa M Alcott 12. Tess of the D'Urbervilles - Thomas Hardy 13. Catch 22 - Joseph Heller 14. Complete Works of Shakespeare (most of them, anyway. The comedies make my eyes gloss over, though). 15. Rebecca - Daphne Du Maurier 16. The Hobbit - JRR Tolkien 17. Birdsong - Sebastian Faulks 18. Catcher in the Rye - JD Salinger 19. The Time Traveller's Wife - Audrey Niffenegger 20. Middlemarch - George Eliot 21. ...